(In Alphabetical Order)...
ANURADHA KRISHNAMURTHY (Carnatic Vocalist / TV star, South India) - Ilaiyaraaja is my favourite musician. He has that unmatched talent to maintain a particular raga till the very end of the song. The essence & soul of the raga is well maintained throughout
BALUMAHENDRA (Eminent Film Director, India) - When i was planning to use raja for my film, i told my decision to G.K.Venkatesh. He immediately replied,"Give him a chance, he will dissolve and digest the entire world with his music." From my first film with raja, till the latest - Adhu Oru Kana Kaalam, all my films have been crowned by his glorious music. We infact have a healthy competition between us. While he tries to overtake my visuals, i try to race ahead of his tunes with my picturisations. His BGMs totally add a different dimension to my films. Only me and raja will be present during the tune creation process. Oh it would be so much fun. Both of us would sing some older songs created by Raja and chat a lot about films and music. If a situation arised wherein ilaiyaraaja decides to quit film music, i would as well quit making films. We both have worked so long with each other now that i dont need to explain him in great details abt my expectations. He knows what music i would want, and i create situations which he will love to make music for.
BHAVATHARINI (budding singer & composer, South India) - One of the fascinating things in Appa's (Daddy's) music is the variations in style that is incorporated into one single song. 'Enadhu vizhi vazhi melae' from solla thudikudhu manasu has western drums, tabla, hindustani style bits, all rolled into one.
Dr.BALAMURALIKRISHNA (Eminent Carnatic Vocalist, India)- As far as i am concerned, i would say Ilaiyaraja is the composer of the century. If there is one single authority on 'orchestration', it can only be ilaiyaraja.
L.BALAJI (Budding Cricket Star/Bowler, India) - I love all the melodious compositions of ilaiyaraja sung by S.P.Balasubramaniam and Yesudoss. My all time favourite is 'raja raja chozhan' from 'Rettai Vaal Kuruvi' that i hum frequently.
S.P.BALASUBRAHMANYAM (Eminent Singer, Music Director, India) - There wont be another ilaiyaraja. He is par excellence, self taught and a complete composer. Improvising on original compositions of someone like ilaiyaraja has always been a dicey proposition for me. Some of my improvisations / touches get his nod, while in other instances when i go overboard, he would step in with a figurative spank in the ear. Me, Jesu anna and Chitra are all so lucky to have got the opportunity to sing hundreds of numbers in his music.
BHARADHWAJ (Music Composer, India) - He is the master of background music. I watch films that has ilaiyaraja as the music director, just for his background scores. "Thalapathi" is one such movie, which i have watched umpteen times just for his BGMs.
BHARANI (Music Composer, South India) - When you listen to his songs, you feel as if you were in a trance. Especially, the song," Kaatril Endhan Geedham" from film Johny. Listening to his music is by itself a meditation to me.
BHARATHIRAAJA (Noted Film Maker, India) - I shoot scenes with a particular impact in mind. And even before i discuss about what i have in mind, he is already ready with mind boggling BGM bits.
CHANDRAHASAN ( Film Producer, India) - His music is precious. Mere dishing out of money wont get you such quality music.
CHITRA (Eminent Singer, India) - I owe a lot to maestro ilaiyaraja and I will ever remain grateful to him. He is the main reason for whatever i have achieved as a singer thus far in my career. The padmashree award that i received was not for me...it is dedicated to raja sir...I still remember very clearly the day when i sang "poojaiketha poovidhu" in his recording studio..From that day, till today, he has been blessing me with his love, standing by me as my own father ...
DAVID KERMAN (ReR-USA, Music Distributor, North America) - We are big fans of the Maestro, and are proud to be the exclusive North American importer of the WINGS CD. ReR USA holds no allegiance to any particular style or genre of music, rather we only care about excellence. That's why we're so thrilled to have ilaiyaraaja !!.
[More from ReRmegacorp website, about the WINGS CD collection - What makes Ilaiyaraaja so universal is his cheerful adoption of much of the world's music and its instruments while remaining focused on the needs of song and the language of popular film; what makes him so addictive is his extraordinary sense of arrangement and instrumentation. Everything is detail with a small surprise lurking around every corner. This is work of painstaking subtlety, wrapped in simple forms - and luminous undemonstrative musicianship - the kind of work that grows with every listening and depends on its inner qualities and not on shock, dissidence or effect. These are perfectly crafted songs with mysterious arrangements and a catalogue of rhythms that are never as simple as they seem. A gem.!]
DEVI SRI PRASAD (Film Music Director, South India) - He is my God. I have grown up listening to his music. Whatever i am able to compose today, i owe it to this maestro.
GUITAR PRASANNA (Eminent Guitarist, India) - While many music creators today are busy looking for new music softwares, ilaiyaraja is the only one who dealt with the length & breadth of classical music (carnatic & western). I have virtually grown up with his music
HARISH RAGHAVENDRA (Budding Playback Singer, South India) - I am the luckiest of them all (singers). My very first song was written by a genius lyricist (Bharathiyar) and a genius composer (ilaiyaraaja). When ilaiyaraaja sir finally OK'd my song, it made me feel as if i had received a great award. Later when the song became a hit, Raja was caring enough to caution me not to be lethargic, and stressed on the need to work hard.
JASSIE GIFT (Composer, South India) - For melodious numbers that i compose, maestro ilaiyaraja is the prime inspiration.
Bombay JAYASHRI (SInger, India) - I am a huge ilaiyaraaja fan. His Paavani raga based song "Paartha Vizhi Paarthabadi" from the film Guna has been running in the back of my mind since I saw the film. When we look at December concerts, when we do something from 7 to 10 concerts, I am bored of constantly singing Todi or Sankarabharanam. I imagined the audience would be bored too. So I tried to do a pallavi with the word Paavani. It was very challenging and new for me and for my co-artists. I may tackle a Raagam Taanam Pallavi in Ragavardhini someday. Why? Because that’s the raga that another Ilayaraja favourite is based on, Chinna Thayaval from Thalapathy (source:http://brangan.easyjournal.com/entry.aspx?eid=3095068).
JEEVA (Budding Actor, South India)- Raja's music is close to my heart and dear to my life. When i start listening to his golden melodies, i would forget even the hunger for food or the thirst for water.
JOSEPH EAGER (Conductor, World Symphony Orchestra, USA) - His music will be heard through the twenty-first century" [predicted during the release function of "Nothing But Wind" CD in New York in 1988].
HARIHARAN ( Playback Singer, India) - "Poongaatre konjam" from the film "Friends", is my favourite, of all the tamil film songs. Ilaiyaraja's style is very different, though he has been heavily influenced by the classical compositions of Mozart and Bach.
HARIPRASAD CHAURASIA, (exponent of Hindustani Classical Music, India) - It is a treat watching him (Mr.Ilaiyaraja) work - he does everything, composing, arrangement of instruments, orchestration and conducting - that too without the help of any assistants and a stopwatch.
KAMALHAASAN (Noted Actor, Film Maker, India) - Ilaiyaraja should be honored as Isai Vigyani (musical scientist) rather than Isai gyani.He has explored and analyzed virtually every type of music.I have worked with several composers. But this man is on his own trip - he is a colossal talent. We have worked together in around 70 films and we know each other's requirements and expectations very well. He saw the rushes of the film (Hey Ram!) just once and immediately decided the music to be scored for the song sequences that have already been picturised. I told my film crew to give me a week's time and that I will come back with one song in that time - instead I came back with seven songs.
KARTHIK RAJA ( Music Composer, India) - He has composed in so many idioms, his work spans such a wide spectrum that there will always some resemblance to something he has already done.
LALGUDI JAYARAMAN (Eminent Musician, India) - His talent is not the fruit of one single birth's efforts. This level of achievement is only possible to one who has lived with music for countless births. The speed with which he writes notations have always baffled me.
LARY BAIN(Composer, England) - He is unbelievable, genius and fantastic.
LASLOV KOVACH (Conductor, Budapest Symphony Orchestra, Hungary) - He is Hollywood Kind. A very special composer. It seems he does not have to think at all to create music. Music just flows out. The feeling that you experience, while you listen to his compositions, is often quite inexplicable. It is unfortunate that the world is yet to recognize this composer. It is not a loss for Him, but it is, to the music world.
KARTHIK ( Budding Singer, India) - Working with him, you are introduced to a totally different plane of music making. His style is a very unique. I consider myself very lucky to have worked with him.
MADHAN (Noted Cartoonist, Writer, film critic, India ) - As far as i am concerened, Ilaiyaraja is the best bet when it comes to background music. He seems to fully understand as to what the film's situation demands and what impact should his music create in viewer's mind. More often, the usage of silent passages in his background music is more stunning than the music itself, and he creates the right mood every time.
MAHALAKSHMI IYER (Playback Singer, India) - Given the genius that this man is, there is so much worth in what he says & what he does.
MAHATHI (Budding Singer, India) - I have been a crazy fan of ilaiyaraaja right from my childhood days. I was delighted beyond words, when i got the opportunity to sing my very first song in his music. It was a dream come true for me.
MALAYSIA VASUDEVAN (Veteran Playback Singer, South India) - I would say I consider it a real privilege to have lived in this era of ilaiyaraja. I am grateful to almighty to have received the opportunity to sing for him.
MANDOLIN U.SRINIVAS (Mandolin Maestro, South India)- Knowing well the genius that he is, what can i say about his music? Like Muthuswami Dikshithar and Thyagaraja Swamigal, ilaiyaraaja too has created pure classical krithis and i had the privilege of playing these compositions in ragas like rajalahari, ragavardhini, rukmambari and kalyani.
MANIRATNAM (Noted Film Maker, India) - Ilaiyaraja is absolutely prolific. He is an amazing talent who believes that the music written down by him should be stuck to totally. And then it is recorded which is just a matter of execution. I wish I could be like Ilaiyaraja and work out everything on paper.
MANI SHARMA (Music Composer, South India) - He is my idol & my personal guru. It is his music that created the urge in me to take up music as my career. I especially was enchanted by songs like "Ennadi Meenakshi" when i was young.
MARK LAYCOCK (Director of Orchestral Activities, Iowa State University, Iowa, United States of America) - A fascinating blend of Eastern and Western styles. The music is instantly appealing -- rhythmically, harmonically, formally. The use of traditional Indian instruments in a modern musical context makes for a rich palette of tone colors and creates a wide range of expressive possibilities.
MASSIMO SIMONINI (Composer & Founder of ANGELICA forum, Italy) - The music of ilaiyaraaja, besides containing many forms, is a good object of reflections and meditations on the form, on its consume, for an eventual, possible expansion. It shows models & rare formulae, unthinkable for the western music song world or western cinema. His film songs feature a metrics that is strictly linked to the images, to the atmospheres of the movie, while the movie itself appears to be composed by a myriad of narrative video clips, which in turn give the song an opening towards other musical forms - A moving open form, that is strictly linked to the inspiration of the moment, ready to welcome anything in a surprising structure, enriched by a, still so strong, indian tradition, where rhythm, melody, devotion and surprise travel together. These entities are seen moving in places where style and form can be continually re-discussed, while still following a logic, a narration. It¹s almost like a kaleidoscopic song, full of rules, but also rich in expressive possibilities...keeps moving...truly vedic .
MEERA JASMIN (Actress, South India)- He is my favourite music director. His music is soulful & touches you instantly. I remember most of his songs by heart. Give me ilaiyaraja's compositions anytime.
NAUSHAD ALI (doyen of hindi film music, India)- That this man has achieved is 100 times more than what any of us have achieved; only time can tell the quantum of his achievements.
PARTHIBAN (Noted Film Maker, Actor, India) - Music alias ilaiyaraja, ilaiyaraja alias Music.
PAZHANI BHARATHI (Lyricist, South India) - I have special regards for him, amongst all film music composers that i have worked with. His outlook and perspective is entirely different. He always stresses to lyricists that words that we use for songs need to be kept simple and that the song should reach out down to the common man. He emphasizes that even the uneducated man should instantly understand what is being conveyed (in the lyrics & music) and he should be made to think too much. He stresses upon keeping it simple.
A.V.RAMANAN (SInger, South India) - He has the potential to compose songs that convey even the subtlest of subtle feelings ...Chinna thaayaval from Thalabadhi is one such song
K.S. RAVIKUMAR (Director, South India) - ilaiyaraja, the person is 60 years old, but his music is not bound by time.
A.R.RAHMAN ( Music Composer, India) - He is a genius by himself and is completely self-contained. He disproved me of the commonly held wrong notion that a music maker has to drink, smoke & have other bad habits in order to create inspirational music. If i am religious today, the credit goes to ilaiyaraja. I learnt it from him.
RAJKUMAR SANTOSHI (Noted Film Maker, India ) - (on Background music by Maestro Ilaiyaraja for his film Lajja) - The discipline of the 90 musicians, the conductor and the recording engineers of the Budapest Symphony Orchestra in Hungary was overwhelming. The musicians gave a standing ovation after recording the scores written by Ilaiyaraja.
RICHARD KING (Sound Engineer of Thiruvasagam in Symphony, Winner of 5 Grammy awards) - Even his thoughts are musical. Ilaiyaraaja is the musical face of India, which the western world is really stunned at !!!
SADHANA SARGAM (Eminent Singer, India) - Its purely a learning experience to work with this legendary composer. Talking with him, you can learn so much. While i work with him, i just have to merely follow his instructions, and everything else is taken care of.
SADHANANDHAM (Senior Guitarist in Raja's Musicians Troupe)- I am glad that i have been working with raja for the past 30 years. Any other musician, and i would have been playing the same style over and over again. Not the case with Raja. Each day is different for us musicians working under him. So many varieties, so many challenges. For example, 'aagaya vennilavae' sounds like it is set in one thaalam, while it is actually in an another thalam ! There are so many songs, where i have to move from one place to another place (within the studio), running around to play the various string instruments that raja would have included in just one song ! And he sometimes makes me play one instrument, while the effect he wants will be for another instrument ! The prelude in 'thendral vandhu ennai thodum' sounds like a veena, but is a guitar effect ! The percussion like BGM effect while karthik & prabhu bounce over each other was created using vibraphone. Once he asked me to play Xylaphone using my hands. Within minutes after the recording, both my hands/fingers were totally swollen. The first bit in the prelude that you hear in 'indha maan' from karagaatakaaran is a favourite bit i have played using a 12 strings guitar.
SARAN (Film Director, South India) - I would quarrel and fight and turn violent in my college days with my friends who pull my leg by comparing ilaiyaraja with other composers. I love and adore him as my favourite composer.
SARATH KUMAR (Actor, South India) - If there is a music director who can make even an ordinary movie into a blockbuster, it has to be ilaiyaraja. His score can lift the plane of even mediocre films several notches up.
SEMANGUDI SRINIVASA AYYAR (Eminent Carnatic Vocalist, India) - Raja has that unique gift to please common man and carnatic experts alike.Until recently, I knew that Shri Ilaiyaraja is a great film music director - his expertise in diluting Carnatic Ragas without diluting their native merits, is well known to me - but recently I had the oppurtunity to listen to him sing a few kirthanas. He sang a kirthana in Raag Abhogi - very well rendered - in Carnatic Sangeet, one needs to know the Sahityam - without knowing it, one should not sing it making it sound absurd - Isai gyani Shri.Ilayaraaja sang it very beautifully and his grasp of the Sahityam is commendable. After today, I realise that Shri.Ilayaraaja is a thorough expert in Carnatic music. May the God Almighty bless Isai Gyani with a long life so that he can render a long service to music.
SHERYAR OOKERJEE ( a Mumbai based musicologist, India) - Bach's influence is deep and all pervasive in his music. He is adept at using conventional western harmony and standard western techniques. Uses dialogue and imitation extensively. He has a competent grasp of the orchestra. His conspicuous quality is his ability to so integrate the Indian and western idioms that the seams can hardly be noticed and the result is usually pleasant, charming and satisfying. Ilaiyaraja's music is enjoyable and worth taking very seriously. It grows on one with repeated hearings.
SUKHWINDER SINGH (Eminent Singer, India) - It is an honour singing for him. It was tough because I wasn't familiar with the Marathi dialect, but I managed it alright! And when Ilayaraja hugged me after the recording, I just looked up and thanked the Lord!
Mirchi SHIVA (RJ, Radio Mirchi, India) - It is pure bliss to just listen to his songs. But even better than that, as a lucky RJ, i also get to play his songs for everyone to listen. That gives immense satisfaction to me. So stay tuned !!
STEPHEN DAVIS (of New Age, USA) - He is leading us to a very special world of music appreciation and has opened doors of new horizons of new age music.
L.SUBRAMANIAM (Violin Maestro, India)- Ilaiyaraja is as good as any globally acclaimed composer in the world.
SUJATHA (leading singer, South India) - Some people ask me, if singers have any freedom to experiment or extrapolate to the tune that raja sir has composed. But i dont think there is any need to do that. The tune that he gives is already whole, and complete. What more can you add to it? What is there that you can improvise? Take the song "Meendum Meendum Vaa" from Vikram. You dont need to even look at the visuals. The eroticism just oozes out in the tune and orchestration. As a singer, all you have to do is follow what he has to say, just follow his instructions. For example, in 'konji pesu kobam enna' song from kaadhal kavidhai, he told me to sing as if i had just woken up in the morning, with a lazy tone. Raja sir is very good at malayalam. Once a singer told me that he had sung something wrong, and raja sir immediately pointed to the lyrics and read it out aloud, pointing out that what the singer had sung was not what the lyricist had written - so not only can he speak malayalam, he can also read ! But he generally speakes in tamil to me, but at times, when he wants to pull my leg, he will use fluent malayalam ! There are an equal number of fans for ilaiyaraaja sir in kerala, when compared to tamilnadu. I have been gifted to sing some malayalam compositions by raja sir. Minnaram maanathu is a favourite composition, which was recorded at raja sir's residence and programmed by karthik raja. My all time favourite malayalam number is 'thumbi vaa' !
MAHENDRAN (Eminent Film Director, India) - I always believed that songs are a major burden to my script. But Indian viewers need songs, and you need to play to their demands. But thank god, i had raja to fall back upon. Instead of obstructing the flow of the film, he ensured that his songs mesh synchronously with the script and in fact go on to add more power to overall punch that my script intended to deliver. Same case with BGMs. I dont believe in creating talkative characters. The characters in my film talk what one can expect a person of that stature to talk. Nothing more, nothing less. When i screened "Mullum Malarum" to my producers, they were shocked and said it was like a silent movie. But later, after raja added his BGMs to it, we were all satisfied and convinced.
Mirchi SUCHITRA (RJ, Radio Mirchi & Budding Singer, India) - I think it would be shallow to call Ilayaraja a 'music director'. if there is a word to describe someone who can mould your mind with his music - that word would describe him. With most kinds of music, you listen to it, enjoy it and then forget about it. Ilayaraja's music makes you laugh, makes you cry, makes you think, calms you down, picks you up...personally, there are so many songs of Raja's that have changed me, calmed me down when i've been in the worst of moods and given me the energy to face the day when i've not wanted to. I cannot imagine life without his music.
PURUSHOTHAMAN (Senior Percussionist in Raja's Musicians Troupe) - If i start talking about the umpteen innovations that raja has brought into film music, this show will not be enough. Several people ask senior members like me (in raja's troupe),"Why dont you go and become a music director on your own." Well, we do know that several music directors today have come to the field after working under other senior music directors for couple of years. May be those people thought that they can create better music than the person with whom they were working. But as far as we are concerned, we dont think we will ever be able to give music that is better than what raja can give. So we are content to work as a musician under him, we dont have any other great ambitions. 'En Uyir Nee Thaanae' in Priya was a challenging number for all of our musicians in raja's troupe. The reason was, the tune which raja had composed seemed to run in a different thalam/meter, while the supporting orchestra had to follow a different thalam/meter ! Everyone of us were skeptical about how the end product was going to look like ! Well, knowing raja very well, we musicians just quit worrying about everything else, and just played as per raja's notations, without thinking about the tune that singers were singing. But it all fell into place when we heard the completed product, and the song went on to become such a lovely hit. As far as BGMs are concerned, 'sigappu rojakkal' was a landmark effort in Indian film music industry. Instead of instrumental BGMs, voice/chorus works were predominantly used to suit the mood of the thriller movie.
SUDHA RAGUNATHAN (Eminent Carnatic Vocalist, India )-Yesterday, today or tommorrow, ilaiyaraja will remain the unquestionable emperor of music.
SUDESH BHOSLE (SInger, North India) - I must say I have been extraordinarily lucky that I could sing for composer Ilayaraja. He is one of our most esteemed composers.
SUHASINI MANIRATNAM (Eminent Actress, India) - Show me a composition matching legendary compositions like 'shenbagame shenbagame' & 'panivizhum malar vanam' by ilaiyaraja. Only then can you talk of someone overtaking him.
SUJATHA (Eminent Writer, India) - There are over 50 kalyani raga songs in tamil film music. But still, when you hear "Nirpadhuve Nadapadhuve" from film Bharathi, you cant help feeling that raga Kalyani has taken a new birth once again. With the songs of film Bharathi, he once again proves that a song can be tuned without electronic noise, can be kept very simple and still be a mesmerizing experience to the listener.
SURYA (Actor, South India) - I listen to lot of music...And be it yesterday, today or tommorrow - my choice has been and will be the music of ilaiyaraja that has merged with my heart and dissolved into my being....
T.V. Gopalakrishnan (Carnatic Musician and Raja's Carnatic guru, India) - He is one of my most hard working students ever. I still remember how he used to knock at my doors, as early as four o clock in the morning to learn (carnatic) music. He was very unique as a student. When you teach a particular phrase (in a raga), his mind would be busy anticipating/thinking about the next phrase. Sometimes it would make me wonder, if i am teaching music to someone who has already mastered it! And if he is not convinced by the way he has sung a particular line in a keerthanai, he would himself raise his hand and sing it again till he thinks it is perfect. I have seen him singing out tunes to playback singers and he would never be satisfied till they get it right. But when you listen to the finished song someday later, you feel that singers barely managed to get the effect that raja could conjure up through his voice. He once called me in an an excited mood, and said,"I have composed one song in raga saramathi for a tamil film. And i find that the tune fits perfectly well with a krithi by Saint Thyagaraja (Mari Mari Ninnae). What do i do now?" The original krithi was composed in kambhodhi ragam. But I immediately replied "Please go ahead". When you sit in your house, and gaze through your windows, there is one type of view. Open the doors, there is another view and come outside, there is totally another view. Why get stuck with one view. Look at the possibilities of expansion. Raja is such a free spirit. The way ilaiyaraja has handled carnatic music (in film songs) is very unique. If he has done 30 kalyani raga songs, each has its own character and styling. He would have expanded on the various characteristic raga phrases in each of those songs. There are even examples where you would never realise that the underlying melody is kalyani, unless you listen to the meticulous decorations that he has built-in into the tune. Even if it is not about carnatic music, or any other style of music, there would be something unique in each of his songs. The only song where i could never find anything unique was,"annae annae sippai annae". Just joking ! Well, even there, the song is sung in a coarse voice.
THANGAR BACHAAN (Cinematographer, Film Maker, India) - Once I finish shooting my film, i just place it before ilaiyaraja, and from there on whatever he delivers is music. I dont need to worry about it anymore. I shudder to even think about Indian film music without ilaiyaraaja. We are just feeding food for merely 5% of his total capacity. To be frank, it is a sin to restrict this talent inside the parameters of film music. He does everything. He has the ability to correct your mistakes that you did in direction, dialogue delivery, emoting, lighting, continuity etc through his background music.
R.V.UDAIYAKUMAR (Noted Film Maker, India) - He can even correct your directorial flaws, with his background score music.
USHA (Budding Singer, South India) - For any aspiring singer, singing in his music would be a cherished dream and not many get that chance. He is very jovial, a simpleton and unassuming as a person. If you enter his special room in Prasad Labs, and you will be able to feel the current of tranquility pass through your body. He composes without even having to touch the harmonium and is adept in tuning a good carnatic based tune in folk and western formats. He can re-record for a movie in one single day, in one go. He is lightening fast in judging if the singer has indeed sung the song up to his optimal capacity or if there could be any improvements.
USHA UTHUP (Singer, India) - ilaiyaraja is a complete music director who has mastered classical and Western music, and also has a strong base in folk. He provides an unique fusion of all three systems, and is therefore amazing to me.
UTTAM SINGH (Music Composer, India) - Ilaiyaraaja is perhaps the only complete music composer in India.
VAALI (South Indian Lyricist/Poet, India) - Reethigowlai, Hamsanatham, Bilahari etc are some of the tough carnatic ragas that he has deftly handled for film music. He is not isaignani, he is swaragnani.
VAIRAMUTHU (Eminent Lyricist, South India) - His music has made me laugh, his music has made me cry. It has made me very sad one moment & made me as happy a child other moment. In summary, his music is special to me, like it is to million others.
VAMSY (Noted Film Maker, India) - While picturizing a song, iIaiyaraja's tunes inspire me more than the characters of the film themselves.
VENKATESH (Noted Actor, South India) - Ilaiyaraja is forever !!!...According to me he is the personification of evergreen music .
VICTOR RANGEL RIBEIRO ( musicologist and author of Baroque Music, USA) - Your ears will hear music like they never heard before.
VIJAY ADHIRAJ (TV Anchor & star, South India) - Till date, there has been no one who has matched raja's good old melodies & compositions.
K.J.YESUDASS (Eminent Singer, Carnatic Vocalist, India) - There are infinite music forms hidden in his heart. All that should flow-out for the good of mankind.
YUVAN SHANKAR RAJA ( Music Composer, India) - I consider it a honour to be living in the shadow of a living legend like him. I am proud to say he is my father. No wonder people expect a lot from me too.