Monday, September 24, 2012

Ragas used in Baba Pugazh Maalai

  • Aadhi Bhagwan is in Shyam Kalyan - Shyam Kalyan | 'N3 S R2 M2 P N3 S' | S' N3 D2 M2 P M2 R2 G3 M1 R2 G3 'N3 S
  • Vinnar Amudhe is Natabhairavi
  • Sheeradi Nadhanin is Natabhairavi as well. I thnk it touches D2 unlike vinnar amudhae which is only natabhairavi notes.
  • Sai Dhwarakamayi -- soulfully sung by Bombay Jayshree -- is set in Lavanthika | S R2 M1 P N3 S | S N3 P M1 R2 S .....thanks to Rajendra Kumar for this input...
  • Poovaram sootti is set in saraswathi -- Saraswathi | S R2 M2 P D2 S | S N2 D2 P M2 G2 R2 S ...what a rendition by Raaja !
  • Indha kovil mattum is in subapantuvarali -- Subhapanthuvarali | S R1 G2 M2 P D1 N3 S | S N3 D1 P M2 G2 R1 S
  • Sai Naadha Sai Naadha - Keeravani | S R2 G2 M1 P D1 N3 S | S N3 D1 P M1 G2 R2 S
  • Sharanam Bhava sharanam -- kalyani with a stunning Ri1 touch in the second last line of the charanams. Totally mind blowing touch !!
  • Unnai kettu paar -- Mayamalawagowlai with M2 touch -- which gives Pantuvarali flavour at times. Mostly mayamalawagowlai (M1).
  • Baba Baba Sai Baba -- mohana kalyani
  • On the whole, a honey dripping collection of songs....a CD that you need to have on your music library...... Awesome bliss.
  • Thursday, January 19, 2012

    First there were 7 notes and then the Panns, Carnatic, Western, Hindustani came.......

    While discussing on raga choices, we should also keep in mind how there could a western music persective on top of all these raga layers. That makes all our analysis even more inadequate to be able to pass judgements since we are only seeing half the picture. We are not seeing the complete picture at all ! Below are some western scales and their equivalent tamil pann and  carnatic ragas: (info courtsey Violin Vicky, Tn Arunagiri, Gopi, Sripathy Ramesh, one Mr. Idiappam from ForumHub.  )

    First about the names, notations

    pAlai = scale = raga

    Kural = C = sa
    Thutham = D = ri
    Kaikilai = E = ga
    Uzhai = F = ma
    ILi = G = pa
    ViLari = A = da
    Tharam = B = ni

    Ilango adigal in silapadhigaram gives the names of the 7 Major Scales and explains how they are derived - pan peryathal or palai thiripu. Below is how they are derived by tonic shifts.  

    CempAlai   = C to C = Ionian - Diatonic Major Dheerasankaaabharanam - All White Keys

    PadumalaippAlai  = D to D = Dorian  = Kharaharapriya - All White keys

    SevvazhippAlai  = E to E = Phrygian  = Hanumathodi - All White Keys

    ArumpAlai   = F to F = Lydian  = Mechakalyaani - All White Keys

    KOdippAlai   = G to G = Mixo-Lydian  = Harikaambhoji - All White keys

    VilarippAlai  = A to A = Aeolian - Diatonic Minor = Natabhairavi - All White Keys

    MercempAlai   = B to B = Locrian  = (non existent in carnatic) - All White Keys -Thodi with Ma2 instead of Pa

    Other scale - ragas equivalents

    Harmonic Major = Sarasaangi

    Harmonic Minor = Keeravani

    Melodic Major = Chaarukesi

    Melodic minor = Ascending is Gowrimanohari and Descending is Natabhairavi.

    Double Harmonic Major = Mayamalawagowlai

    Double Harmonic Minor = Simmendhramadhyamam

    Major Pentatonic Scale: = Mohanam

    Minor Pentatonic Scale: = Sudha Dhanyasi

    Blues scale -- Minor Pentatonic with Ma2 --ex: if Sudha dhanyasi is Sa Ga ma Pa Ni Sa. Blues is Sa ga Ma1 Ma2 Pa Ni Sa. Ga and Ni are Eb and Bb in C for example.

    Whole Tone Scale is like C D E F# G# A# C in a C shruthi thing for example. The interval between one note and the next note is always a tone(2 semitones).

    Chromatic Scale is C C# D D# E F F# G G# A A# B and C. All 12 notes in a scale from C to C for example.

    I am not equipped to comment on these western aspects. I am zapped to even know such details exist. Seen in this context, how many more dimensions there are to IR's music ? And how ill-equipped and incomplete would it sound if someone knowing just carnatic or vice versa someone (knowing only western) make reviews on a song !!

    While i could a brush aside a natabhairavi song as being cliched, that song may talk a different language to a person knowing western music -- Aeolian - A to A - All White Keys - Natabhairavi !!!

    Wednesday, January 4, 2012

    Rama Rama Rama Ane -- senchuruti

    Sri Rama Rajyam also has a senchuruti based number....the song Rama Rama Rama Ane is folkish and thus senchuruti is a nice choice.'.....Senchuruti is P' D2' N2' S R2 G3 M1 P | P M1 G3 R2 S N2' D2' P'. It has got a good folk flavour. Songs that are based on senchuruti are Aatukkutti Muttai Ittu - 16 Vayadhinile, Anbu Enum Oru Mandhiram - Sri Raghavendra,
    Kaadhalichu Paaru Kiliyae - Thanga Thaamaraigal, Kaanankuruvikki Kalyanamaa Vaazha Ninaithal Vaazhalaam, Rama Rama Rama Ane - Sri Rama Rajyam, Vanna Vanna Solleduthu - Senthamizh Paatu, Vethala Vethala Vethalayo - Rosappu Ravikkakaari.....The last one in this list used to be my the Rama Rajyam number is my favorite......

    Isai Saraswathi ilaiyaraaja !

    Saraswathi raga is | S R2 M2 P D2 S | S N2 D2 P M2 G2 R2 S ...some songs of Raaja in this scale are Veena Vani - Pon Megalai, Karpoora Bommai Ondru - Keladi Kanmani. While the pallavi of karpoora bommai ondru is in saraswathi, the scale changes in charanams to accomodate the happier flashback scenes. Even in Sri Rama Rajyam, he has used this scale, with a very slight touch of Ni3. The songs are Sengu Sakkraala and Idhi Pattabhi Raamuni from Sri Rama Rajyam. The folkish sounding song follows the saraswathi pattern mostly. Gifted to have this isai saraswathi ilaiyaraaja with us !